Bach Bibliography
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Series : ^DeClavicordio$
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TypeListAuthor Title[further info]SeriesVolNoYearPagesStatus
[]
1. Brauchli, Bernard; Brauchli, Susan; Galazzo, Alberto (eds.)De Clavicordio [I]: Proceedings of the International Clavichord Symposium, Magnano 1993. DeClavicordio 1 1994 287, 24p
2. Delft, Menno vanCarl Philipp Emanuel Bach's 'Damen-Sonaten'. DeClavicordio 11 2014 61-74
3. Gammon, JulianVirtual Teaching: C. P. E. Bach's Versuch as a pedagogical medium. DeClavicordio 11 2014 87-98
4. Speerstra, JoelTowards an identification of the clavichord repertoire among C.P.E. Bach's solo keyboard music: Some preliminary conclusions. DeClavicordio 2 1995 43-81
5. Woodward, BeverlyThe Probestücke and C.P.E. Bach's Versuch über die wahre Art das Clavier zu Spielen. DeClavicordio 2 1995 84-93
6. Koster, JohnThe 'still, small voice' and the exploration of inner musical space DeClavicordio 2 1995 155-165
7. Hogwood, ChristopherA repertoire for the clavichord (including a brief history of Bebung). DeClavicordio 2 1995 167-180
8. Brauchli, Bernard; Brauchli, Susan; Galazzo, Alberto (eds.)De clavicordio II: Proceedings of the International Clavichord Symposium/Atti del Congresso Internazionale sul Clavicordo. DeClavicordio 2 1995 274p
9. Simmonds, PaulAbstossen, schleifen and das algemeine Fortgehen: Thoughts on clavichord touch. DeClavicordio 3 1997 53-60
10. Speerstra, JoelThe pedal clavichord as a pedagogical tool for organists. DeClavicordio 3 1997 109-118
11. Fuller, RichardAffekt and Rhetorik in the clavier music of C.P.E. Bach and suggested applications in the music of Joseph Haydn. DeClavicordio 3 1997 255-275
12. Brauchli, Bernard; Brauchli, Susan (eds.)De clavicordio. III: Proceedings of the III International Clavichord Symposium/Atti del III Congresso Internazionale sul Clavicordo. DeClavicordio 3 1997 296p
13. Richards, AnnetteC.P.E. Bach's 'Farewell' and the speaking clavichord. DeClavicordio 4 2000 15-35
14. Schulenberg, DavidWhen did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. DeClavicordio 4 2000 37-53
15. Hogwood, Christopher'Our old great favourite'--Burney, Bach and the Bachists. DeClavicordio 4 2000 55-85
16. Morrow, Mary SueThe clavichord resounds, or the wider influence of C. P. E. Bach's 'empfindsamer' keyboard style. DeClavicordio 4 2000 87-94
17. Berg, Darrell M.C. P. E. Bach's songs for clavichord. DeClavicordio 4 2000 95-104
18. Huber, Alfons; Graf, Anna Savarain deA clavichord from Peru in the period of the imperial vice-royalty. DeClavicordio 4 2000 105-117
19. Martin, DarrylTangent layout and triple-fretted clavichord tuning. DeClavicordio 4 2000 119-126
20. Libin, Laurence; Klaus, Sabine K.Two Spanish clavichords in private U. S. collections. DeClavicordio 4 2000 127-138
21. Helenius-Öberg, EvaThe Swedish clavichord around 1800. DeClavicordio 4 2000 139-146
22. Nex, Jenny; Whitehead, LanceA preliminary investigation into the stringing of Swedish clavichords. DeClavicordio 4 2000 147-160
23. Speerstra, JoelDocumenting a clavichord by Lindholm and Söderström and a brief history of Swedish measurements. DeClavicordio 4 2000 161-176
24. Adlam, DerekConservation ethics. DeClavicordio 4 2000 177-186
25. Bavington, PeterA maker's secrets revealed: restoration of a 1784 clavichord by C. G. Hoffmann. DeClavicordio 4 2000 187-201
26. Pollens, StewartA Pantalonclavichord by C. Kintzing of Neuwied, 1763. DeClavicordio 4 2000 203-213
27. Brauchli, Bernard; Brauchli, Susan; Galazzo, Alberto (eds.)De Clavicordio IV: Proceedings of the IV International Clavichord Symposium, Magnano, 8-11 September 1999. DeClavicordio 4 2000 225p
28. Zapf, MichaelHanding down the Tradition: The Survival of Bach's Finger Technique in an Obscure Nineteenth-Century Clavier Tutor. DeClavicordio 5 2002 39-43
29. Adlam, DerekMissing instruments. DeClavicordio 5 2002 83-89
30. Simmonds, PaulEmbellished repeats in late eighteenth-century clavichord repertoire. DeClavicordio 5 2002 109-124
31. Hogwood, ChristopherThe Copenhagen connection: Resources for clavichord players in eighteenth-century Denmark. DeClavicordio 5 2002 249-272
32. Brauchli, Bernard; Galazzo, Alberto; Moody, Ivan (eds.)De Clavicordio V: Proceedings of the V International Clavichord Symposium, Magnano, 5-8 September 2001. DeClavicordio 5 2002 328p
33. Henning, UtaClavichord reception in Russia: with special reference to the Bach family. DeClavicordio 7 2006 11-16
34. Crowell, GregoryThe clavichord as a plucked string instrument. DeClavicordio 7 2006 183-194
35. Brauchli, Bernard; Galazzo, Alberto; Wardman, Judith (eds.)De Clavicordio VII: Proceedings of the International Clavichord Symposium, Magnano, 7-10 September 2005. DeClavicordio 7 2006 277p
36. Henning, UtaArnold Dolmetsch and his Bach clavichord: an iconographical and literary approach. DeClavicordio 8 2008 17-25
37. Brauchli, Bernard; Galazzo, Alberto; Wardman, Judith (eds.)De Clavicordio VIII: Proceedings of the International Clavichord Symposium, Magnano, 5-8 September 2007. DeClavicordio 8 2008 256p

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